Strategi Visual Punden Berundak Situs Gunung Padang dalam Genre Fotografi Landscape sebagai Pesan Budaya
DOI:
https://doi.org/10.25077/jantro.v21.n2.p185-193.2019Keywords:
Visual strategy, photography, landscapeAbstract
Gunung Padang Site in Cianjur is a cone-shaped hill area filled with relics of the Megalithic era in the form of stone objects. Punden terraces – a place for the worship of ancestral spirits – has become a hallmark and an important cultural heritage as a part of the distinctive characteristics of the indigenous culture in Nusantara. This study aims to communicate the cultural message of the punden terraces through the visual strategy of photography with the landscape genre, the art of photography that explores the beauty of nature and sharpens the landscape. Quantitatively, this study conducted a survey to find out the attraction of the photo objects. The result showed that the majority of respondents considered the scenery on the Gunung Padang Site to be more interesting than the stone objects and the daily life of surrounding communities. Whereas qualitatively, this study discusses the elements of visual strategy using the theory of photography with visual communication semiotic approach, especially in terms of the shot sizes and the framing of visual space. Punden terraces' photographs in landscape photography are able to communicate cultural messages about human activity in the past. This, in turn, will contribute to enriching scientific references of visual communication design
References
Alam, P. C. (2013). Kiat Praktis Memotret Landscape. Jakarta: PT. Elex Media Komputindo.
Bonafix, D. N. (2011). Videografi: Kamera dan Teknik Pengambilan Gambar. Humaniora, 2(1), 845. https://doi.org/10.21512/humaniora.v2i1.4015
Dalmeda, M. ., & Elian, N. (2017). Makna Tradisi Tabuik Oleh Masyarakat Kota Pariaman (Studi Deskriptif Interaksionisme Simbolik). Jurnal Antropologi: Isu-Isu Sosial Budaya, 18(2), 135. https://doi.org/10.25077/jantro.v18i2.63
Gunarti W.W., W. (2018). Understanding Visual Grammar on the Stop Smoking Public Service Announcement: Analysis of Television Ad ‘Vocal Cords Loss Due to Smoke.’ KnE Social Sciences, 3(11), 117. https://doi.org/10.18502/kss.v3i11.2755
Hartel, J., & Thomson, L. (2011). Visual Approaches and Photography for the Study of Immediate Information Space. Journal of the American Society for Information Science and Technology, 62(11), 1–11. https://doi.org/10.1002/asi.21618
Hasan, W., Asmawi, A., & Rasul, N. (2019). Komunikasi Budaya Dalam Meningkatkan Partisipasi Pemilih Di Kota Pariaman. Jurnal Antropologi: Isu-Isu Sosial Budaya, 20(2), 179. https://doi.org/10.25077/jantro.v20.n2.p179-189.2018
Hermawan, H. (2017). Pengaruh Daya Tarik Wisata, Keselamatan dan Sarana Wisata Terhadap Kepuasan serta Dampaknya terhadap Loyalitas Wisatawan. Jurnal Media Wisata, 15(1), 562–577.
Hinijati Widjaja. (2016). Megalithic Landscape in the Site of Gunung Padang, Analysis of Environmental Studies. International Journal of Engineering Research And, 5(11), 476–479. https://doi.org/10.17577/ijertv5is110285
https://www.youtube.com/watch?v=T8lhzNzLylY&t=220s. (n.d.). Situs Gunung Padang - Kekayaan Sejarah Terpendam. Retrieved from https://www.youtube.com/watch?v=T8lhzNzLylY&t=220s
Marsudi, M. (2015). Bangkitnya Tradisi Neo-Megalitik di Gunung Arjuna. Jurnal Sejarah Dan Budaya, 9(1), 79–87.
Otto, T., Suhr, C., Crawford, P. I., Waltorp, K., Høgel, A. K., & Vium, C. (2018). Camera, Intervention and Cultural Critique: An Introduction. Visual Anthropology, 31(4–5), 307–317. https://doi.org/10.1080/08949468.2018.1497328
Panke, T. (2016). Photography Visual Communication: Direct and Indirect Impact on Human Communities. Scholarly Research Journal for Humanity Science & English Language, 3(18), 4132–4137. Retrieved from www.srjis.com
Paulus, E. (2013). Buku Saku Fotografi Landscape. Jakarta: PT. Elex Media Komputindo.
Rahmi, S. A. (2016). Pembangunan Pariwisata Dalam Perspektif Kearifan Lokal. REFORMASI, 6(1), 76–84.
Ramadina, S. P. (2013). Analisis Perupaan Situs Megalitik Gunung Padang di Cianjur, Jawa Barat. Journal of Visual Art and Design, 4(1), 51–66.
Sulaeman, S., Malawat, M., & Darma, D. (2019). Konstruksi Makna Bakupukul Manyapu Bagi Masyarakat Mamala Maluku. Jurnal Antropologi: Isu-Isu Sosial Budaya, 21(1), 61. https://doi.org/10.25077/jantro.v21.n1.p61-72.2019
Sutarman, Hermawan, H. E., & Cecep Hilman. (2016). Gunung Padang Cianjur : Pelestarian Situs Megalitikum Terbesar Warisan Dunia ( Gunung Padang Cianjur : Preservation Of The Largest Megalithic And World Heritage ). Jurnal Surya : Seri Pengabdian Kepada Masyarakat, 2(1), 57–64.
Walker, J. A. (2010). Desain, Sejarah, dan Budaya, sebuah pengantar Komprehensif. Yogyakarta: Jalasutra.
Wardani, W. G. W., Wulandari, W., & Syahid, S. (2019). Presentasi Ruang Arkeologi Situs Gunung Padang Melalui Visualisasi Batu Penanda Untuk Buku Foto. Mudra Jurnal Seni Budaya, 34(3), 394–401. https://doi.org/10.31091/mudra.v34i3.689
Winny Gunarti Widya Wardani, Wulandari, Rezha Destiadi, S. (2019). Representasi Interaksi Manusia Dalam Genre Fotografi “story†Situs Megalitikum Gunung Padang. Jurnal Muara Ilmu Sosial, Humaniora, Dan Seni, 3(1), 149–159. https://doi.org/10.24912/jmishumsen.v3i1.3451
Wulandari, W. (2015). Seni Dalam Fotografi Disorientasi. Jurnal Desain, 2(No. 03), 169–182. Retrieved from https://journal.lppmunindra.ac.id/index.php/Jurnal_Desain/article/view/582
Yondri, L. (2012). Punden berundak Gunung Padang maha karya nenek moyang dan kandungannya akan nilai-nilai kearifan lingkungan di masa Lalu di tatar Sunda. Bandung.
Yondri, L. (2013). Yondri-punden berundak 2013.pdf. Purbawidya: Jurnal Penelitian Dan Pengembangan Arkeologi. Retrieved from https://purbawidya.kemdikbud.go.id/index.php/jurnal/article/view/P2%282%292013-4
Yondri, L. (2014). Punden Berundak Gunung Padang Refleksi Adaptasi Lingkungan dari Masyarakat Megalitik. Jurnal Sosioteknologi, 13(1), 1–14. https://doi.org/10.5614/sostek.itbj.2014.13.1.1
Downloads
Additional Files
Published
How to Cite
Issue
Section
License
The author(s) retain the full copyright over all published articles. By submitting and publishing with Jurnal Antropologi: Isu-Isu Sosial Budaya (JANTRO), the author(s) grant the Department of Anthropology FISIP Universitas Andalas (as the publisher) the exclusive right of first publication.
All articles are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license.. This license permits users to copy, distribute, transmit, and adapt the work, provided the original work and source (JANTRO) are properly cited and any derivative work is shared under the same license.
The author(s) are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as this can lead to productive scholarly exchange and earlier citation of published work.
Department of Anthropology FISIP Universitas Andalas has the right to multiply and distribute the article and every author is not allowed to publish the same article that was published in this journal. Thanks to FISIP Universitas Andalasthat was funded this journal sustainability.
The Copyright Notice should describe for readers and authors whether the copyright holder is the author, journal, or a third party. It should include additional licensing agreements (CC BY-NC-SA)
The manuscript authentic and copyright statement submission can be downloaded ON THIS FORM.
Fill out the form and submit via email or fax to the following address:
Office of Editorial Board Jurnal Antropologi: Isu-Isu Sosial Budaya
Department of Anthropology, FISIP, Universitas Andalas
Building B Department 2nd Floor, FISIP, Universitas Andalas, Kampus Limau Manis, Padang, West Sumatra, 25162, Ph. 0751-71266, Fax: 0751-71266
Email: editor_jantro@soc.unand.ac.id
.png)
