Akses dan Ekslusi dalam Reformasi Hutan di Sumatera: Studi Kasus di Nagari Simanau, Kecamatan Tigo Lurah, Kabupaten Solok, Sumatera Barat
DOI:
https://doi.org/10.25077/jantro.v24.n2.p276-285.2022Keywords:
Forest reformation, access, exclusionAbstract
This article discusses the village forest in Simanau. This research was conducted by using a qualitative method, one of which is a case study. Data collection was carried out by observation, interviews and literature study. Research departs from solutions to the problem of deforestation and forest degradation as business as usual or with international assistance through the village forest scheme. Village forests are one of Nawacita's priority programs as a strategic step in reducing deforestation and forest degradation and also overcoming poverty and poverty in national land tenure. My intension is to analyze the forest from a critical anthropological perspective, one of which is the political ecology framework to explore the village forest in Simanau. For this reason, I use the concepts of "access" and "exclusion" in sharpening economic goals in ecological terms. The research findings show that Simanau forest reform raises a dilemma where access to forests is limited for non-management communities. The concept of access is used to hide who gets (and doesn't get) the benefits of the existence of the village forest and through what they get it. This concept of access is then related to the concept of exclusion which means preventing people from accessing forests.
References
Alex,Sobur.(2003).Semiotika Komunikasi.Bandung : PT. Remaja Rosdakarya
Amalia, Mia. (2011). Kekerasan Perempuan dalam Prespektif Hukum dan Sosiokultural. Jurnal Wawasan Hukum. 25(2) hal 399-409. https://ejournal.sthb.ac.id/
AR, Syamsuddin. (2009). Wacana Bahasa Mengukuhkan Identitas Bangsa. Bandung: Jurusan Pendidikan Bahasa dan Sastra Indonesia.
Barthes, Roland. (2006). Membedah Mitos-Mitos Budaya Massa: Semiotika atau Sosiologi
Tanda, Simbol, dan Representasi. Yogyakarta: Jalasutra.
Benny H.Hoed. (2007). Semiotika &Dinamika Sosial Budaya. Depok: Komunitas Bambu
Bhasin, K., Khan, Nighat. S. (1994). Persoalan-persoalan pokok mengenai feminisme dan relevansinya. Terj. Jakarta : Gramedia dan Yayasan Kalyanamitra.
Budi, Irwanto.(1999). Film,Ideologi dan Militer (Hegemoni Militer dalam Sinema Indonesia).Yogyakarta: Media Pressindo.
Darmaprawira, Sulasmi. (2002). Warna: Teori dan Kreativitas Penggunaannya Edisi Ke2. Bandung: Penerbit ITB
Endaswara, Suwardi. (2011). Metode Pembelajaran Drama. Yogyakarta: KAPS.
Eriyanto. (2008). Konstruksi,Ideologi. dan Politik media. Yogyakarta: LKiS.
Hasiholan. (2009). Perempuan Hindu dalam Prespektif Mahatma Gandhi.(Skripsi). UIN Syarif Hidayatullah, Jakarta, Indonesia. https://repository.uinjkt.ac.id/library
Herawati, Tanti. (2007). Budaya Jawa dan Kesetaraan Gender. Jurnal Komunikasi Massa. l 1(1)18-24. https//:digilib.uns.ac.id/
Kurnianingsih, Sri. (2003). Pelecehan Seksual Terhadap Perempuan di Tempat Kerja. Jurnal Buletin Psikologi. No 2 Th XI. https://jurnal.ugm.ac.id/ISSN : 0854 – 7108 .
Maulana, Faiz M. (2020). Moderasi Tradisi Konco Wingking: Upaya Melepaskan Dilema. Jurnal Harkat : Media Komunikasi Gender. 16(1)11-26. https://doi.org.10.15408/harkat.vl6ii.15609
Najmi, Mohd. 2010. Wanita dalam Agama Kristen Protestan.(Skripsi). UIN Sultan Syarif Kasim, Riau, Indonesia. https://repository.uin-suska.ac.id/10724/
Niko, & Dengah. (2016). Perempuan Petani Dayak Mali di Kalimantan Barat (Studi Kasus di Desa Cowet). Prosiding Seminar Nasional FW Great Event Pascasarjana Institut Pertanian Bogor.12(1). https:// 10.22146/jps.v6i1.47467.
Pah, J. J. (2018). “Mitos Seksualitas dalam Iklanâ€. Nyimak Journal of Communication, 2(1): 1- 16. https://10.31000/nyimak.v2i1.723.
Rahmawati, Isnaini. (2017). Semiotika Rolland Barthes dalam Kehidupan Kontemporer Umat Beragama Mengenai Fenomena Padu Padan Kebaya. Tamaddun: Jurnal Kebudayaan Dan Sastra Islam 17 (2). https://doi.org/10.19109/tamaddun.v17i2.2532
Rahim, Abdul. (2016). Peran Kepemimpinan Perempuan Dalam Perspektif Gender. Al- Maiyyah: Media Transformasi Gender Dalam Paradigma Sosial Keagamaan , 9(2)268-295. https://doi.org/10.35905/almaiyyah.v9i2.352
Pirus, Moch S & Nurahmawati H. (2020). Jawa Pertanda Identitas Tentang 3M: Macak, Masak, Manak. Jurnal Internasional Budaya dan Sejarah 7(2). https://doi.org/10.5296/ijch.v7i2.18055
Puspitasari, Fanny. (2013). Representasi Stereotipe Perempuan dalam Film Brave. Jurnal Komunikasi. Vol 1 No. 2, hal. 14-15
Qurrota Ayun, P. (2015). Sensualitas dan Tubuh Perempuan-Perempuan dalam Film Horor di Indonesia (Kajian Politik Media). Jurnal Simbolika.1(1). https://doi.org/10.31289/simbollika.v1i1.45
Sobur, Alex. (2013). Semiotika Komunikasi. Bandung: Remaja Rosdakarya.
Sugihastuti dan Itsna Hadi Saptiawan. (2007). Gender dan Inferioritas Perempuan. Yogyakarta: Pustaka Pelajar
Susilo, Budi. (2014). Membaca Kejujuran dan Kebohongan dari Raut Wajah. Yogyakarta: Flashbook
Susanto, Widjajanti.(2011).Sosiologi Feminisme:Kontruksi Perempuan dalam Industri Media.Yogyakarta: LKiS.
Tong, R. P. (2004). Feminist thought. United State of America: Westview Press, A member of the Perseus Books Group.
Utami, R., & Lestari, T. (2021). Gaya Bahasa Keindahan dan Kedudukan Kencana Wungu dalam Naskah Damarwulan (Etnolinguistik). Sutasoma : Jurnal Sastra Jawa , 9 (1), 9-25. https://doi.org/10.15294/sutasoma.v9i1.45710
Uyun, Q. (2002). Peran Gender dalam Budaya Jawa. Jurnal Psikologika. 7(13). https://doi.org/10.20885/psikologika.vol7.iss13.art3.
Wibowo, Fred. 2007. Teknik Produksi Program Televisi. Yogyakarta : Pinus Book Publisher.
Badan Pusat Statistika. BPS.go.id// diakses tanggal 1 Mei 2022.
Komisi Nasional Anti Kekerasan terhadap Perempuan. https://komnasperempuan.go.id/ diakses tanggal 1 Mei 2022
Kamus Besar Bahasa Indonesia. (2016). Kamus Besar Bahasa Indonesia (KBBI). [Online]:
Downloads
Published
How to Cite
Issue
Section
License
The author(s) retain the full copyright over all published articles. By submitting and publishing with Jurnal Antropologi: Isu-Isu Sosial Budaya (JANTRO), the author(s) grant the Department of Anthropology FISIP Universitas Andalas (as the publisher) the exclusive right of first publication.
All articles are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license.. This license permits users to copy, distribute, transmit, and adapt the work, provided the original work and source (JANTRO) are properly cited and any derivative work is shared under the same license.
The author(s) are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as this can lead to productive scholarly exchange and earlier citation of published work.
Department of Anthropology FISIP Universitas Andalas has the right to multiply and distribute the article and every author is not allowed to publish the same article that was published in this journal. Thanks to FISIP Universitas Andalasthat was funded this journal sustainability.
The Copyright Notice should describe for readers and authors whether the copyright holder is the author, journal, or a third party. It should include additional licensing agreements (CC BY-NC-SA)
The manuscript authentic and copyright statement submission can be downloaded ON THIS FORM.
Fill out the form and submit via email or fax to the following address:
Office of Editorial Board Jurnal Antropologi: Isu-Isu Sosial Budaya
Department of Anthropology, FISIP, Universitas Andalas
Building B Department 2nd Floor, FISIP, Universitas Andalas, Kampus Limau Manis, Padang, West Sumatra, 25162, Ph. 0751-71266, Fax: 0751-71266
Email: editor_jantro@soc.unand.ac.id
.png)


